Painting Hiroshima – August 6, 1945
When I was a brush, a crude-tufted, rough brush,
I pulled myself around the sky, painting mushroom clouds
and streaks of fire. On the ground
I spilled chemicals to burn the skin.
But if I could go back to August 5, I would begin
by painting over the Enola Gay with sky-blue paint
and dreamy white cumulous puffs
that looked like sheep or old men with beards.
I wouldn’t allow one speck of gray-green metal to show,
nothing to build on at a later time. Not one
bomb would leave the soft hairs of my pen,
not one person would run screaming to nowhere.
I would be a fine sable brush, go to these cities
and paint emergency medical stations
with a huge red cross, deep shelters with steps going down.
But it’s sixty-some years past and the original
painting resides under all the others that tried
to justify or hide the deed—a pentimento
of all those faded pieces painted with ignorance.